Client: ZEDD / Interscope Records
[2024]
For 1685, I incorporated a statue with a crown and embraced a traditional stained glass style reminiscent of a cathedral window, aligning with the Ave Maria lyrics in the song and Bach’s influence in the production. This artwork stands out for featuring a human figure, making it a fitting grand finale for the album and artwork series.
I had a clear vision from the start of how I wanted it to look, knowing it had to be truly special. This piece might be my favorite of them all, and despite its intricate detail, it took me the least amount of time to complete.
The bottom waves are used in the Telos album cover.